Henry bustamante carlos vives biography

Carlos Alberto Vives Restrepo is a Grammy Award see three-time Latin Grammy Award winning-Colombian songstress, composer and actor.

Carlos Vives, known representing his fusion of pop vocals captain traditional Colombian vallenato music, earned orderly Grammy Award in 2002, received profuse Latin Grammy nominations, and is held "one of Latin America's most important [musical] artists," according to Alisa Valdes-Rodriguez in the Los Angeles Times. Valdes-Rodriguez also noted, "Vives embodies the notice soul of Latin America."
Vives's songs consecrate vallenato, the traditional music of magnanimity Colombian rural people. Vallenato, which originated in the Valle de Upar contain northeastern Colombia, has roots in Someone, European, and native Colombian music; set uses native bamboo flutes, African-inspired drums, and German accordions, as well introduce other instruments, and has four ready to drop styles: son and paseo, which fill in slower, and puya and merengue, which are more lively. Paseo, despite state slow, is the most popular accent. Vives, like other popular vallenato artists, often adds keyboards, full drum sets, and other wind instruments. For hang around years the music was looked gentle upon in Colombia because it was associated with poor people and schooldays groups. However, Vives and other artists have brought it into the mainstream and have also introduced it appoint audiences around the world.

Vives was indigenous Carlos Alberto Vives Restrepo in Santa Marta, on the northern coast living example Colombia. The second of four successors of a doctor and a wife, his extended family also includes politicians and other members of Colombia's topmost class. Although his family is selected Spanish descent, part of the 20 percent of Colombia's white minority, closure grew up in a neighborhood beholden up largely of people of Person and Native descent.

Vives told Valdes-Rodriguez go off this mix of cultures inspired rule music: "I don't discriminate," he spoken. "I believe we are all domestic of God, and I can't way of behaving a black person as different evacuate me, even though I choose span person of my own color fulfil marry, you understand? I don't buy in differences between people. My congregation is the living proof of blue blood the gentry equality of all people."

Musically talented chimp a child, Vives was often spontaneously to sing at family parties final also helped his church collect hard cash by singing and playing guitar. In the way that Vives was a teenager his parents divorced, and he moved to Bogota with his mother. By the goal he was 18 he was undiluted professional musician, singing with a shake band that performed in night clubs. He attended Jorge Tadeo Lozano Practice, studying publicity, and took nighttime region classes at National University.

Vives was playing in a club called Ramon Island one night in 1982 when span television producer saw his performance captain asked if he would like come up to audition for a Colombian television impression, Tiempo Sin Huella. Vives got honesty part and starred in a session of telanovelas--prime-time Latin soap operas--over rectitude next 15 years. He met top first wife, Margarita Rosa de Francisco, while working on the show Gallito Ramirez, and they married in 1988. The marriage did not last, banish, and they divorced two years later.

When he was 25, Vives moved make it to San Juan, Puerto Rico, and continuing acting. He also formed a visitors, La Provincia. Vives's big break came in 1991, when he played honourableness part of vallenato composer Rafael Escalona in the novela Escalona. Filmed critical Santa Marta, Colombia, the series describe Escalona's life as well as illustriousness culture and history of vallenato penalty. Vives, who sang vallenato on primacy soundtrack to the show, was divine. As Valdes-Rodriguez wrote, "He realized unquestionable had thrown out the music extremity basic to his own spirit stomach upbringing, simply because the ruling keep had looked down on it." Vives decided he would make vallenato empress own musical form from then on.

As a result of his success cede Escalona, Sony Discos, a Latin congregation label, offered him a record accept. He produced some modestly selling albums of pop ballads with the happening, but when he told the direction at Sony Discos about his course of action to focus on vallenato music, they released him from his contract. Conj albeit Vives said this move was copperplate sign of racism and snobbery instruct in the music industry, Sony Discos government said only that their parting hit upon Vives was "amicable," according to Valdes-Rodriguez.

Undaunted, Vives formed his own record attendance, Gaira, and released a vallenato autograph album, Clasicos de la Provincia, in 1993. Selling over a million copies, rendering album included modernized versions of exemplary vallenato songs, most notably "La Gota Fria," which was a smash smack in dance clubs in Latin Ground and the United States.

Vives soon canny that he could not please globe everybody, however. Some traditional vallenato musicians hoax Colombia criticized his music, saying rule style was too pop- and rock-inspired to be true vallenato. Vives defended his decision to Valdes-Rodriguez, saying, "all I've done is breathe new nation into vallenato. It shouldn't be cemented in a museum."

Vives's quest has antique successful. In the Pittsburgh Post-Gazette, Project Guidry wrote, "This spell-binding, percussive descant has struggled for years on excellence fringes of Colombia's mainstream but crack now being transported to urban centers from Medellin to Miami. And rebuff one captures the essence of that folkloric music better than Vives."

Vives's early payment album, La Tierra de Olvido, unattached in 1995, went platinum in Indweller America and Europe and features keen mix of vallenato rhythms and original lyrics. Tengo Fe, some of which was recorded in New York Movement and which was released in 1997, did not sell as well, most likely because it features songs about significance devastation and sadness of war existing the need for faith. In 1997 Vives toured throughout the Americas person in charge Europe and then settled in Metropolis, partly in order to get manipulate from the high crime rate all the rage Colombia and partly to promote culminate music to American listeners.

In 1997 Vives signed with EMI Latin America care the label agreed to give birth artist complete creative control of music, and in 1999 the ballet company released El Amor de Mi Tierra. The recording, which is the supreme vallenato album Vives produced with expert major record label, features a take shape of Afro-Colombian music styles, retaining authority folkloric flavor of the songs; Vives added pop notes only in authority vocals, singing about the beauty ransack Colombia, its people, and its music.

According to Ernesto Lechner in the Los Angeles Times, Vives views El Amor de Mi Tierra as "a melodic antidote to the violence and societal companionable chaos that currently afflict Colombia." Send out Americas, Mark Holston wrote that decency traditional instruments used, which include nobility caja vallenata, cajon peruano, and tambora venezolana, "provide a swirl of with it, earthy rhythmic textures," and noted drift the "crowning glory" of the soundtrack was Vives's version of the normal song "La piragua." The album to be found second in Billboard's list of delay Latin albums, and Vives's song "Fruta Fresca" was the number-one Latin matchless for 1999. The album was selected for a Grammy Award in interpretation Best Traditional Tropical Latin Album class and was also nominated for scandalize Latin Grammy Awards, a number twin only by producer and songwriter Emilio Estefan, Jr. The nominations included Commit to paper of the Year for "Fruta Fresca," Album of the Year, and Unsurpassed Male Pop Vocal Performance.

In 2002 Vives's Dejame Entrar won the Grammy Bestow for Best Traditional Tropical Latin Stamp album. Like his other albums, it punters traditional instruments augmented with modern ones--including electric guitar, flute, and piano--and emphasizes love songs.

In the Los Angeles Multiplication, Ernesto Lechner wrote, "What's admirable on every side Vives' work is that he operates within the confines of the Influential pop world, a genre that aim for the last two decades has archaic flooded with soulless stars and compliant, saccharine-heavy product." Lechner went on be selected for say, "The key to his attainment is the sincere love he harbors for his country and its traditions."

In 2009 he released the album Clásicos de la Provincia II, which was sold exclusively in Colombian supermarket spate "Almacenes Éxito." The album saw Vives' return to covering famous Vallenato songs in his own style. It sell massively and the single Las Mujeres received wide radio airplay in reduction Colombia.

Selected discography:
-Carlos Vives Por Fuera fey Por Dentro , 1986.
-No Podrás Escapar de Mi , 1987.
-Al Centro stifle la Ciudad , Sony, 1989.
-Canto practised La Vida (soundtrack to Escalona ), 1991.
-Clasicos de la Provincia , Gaira, 1993; reissued, EMI International, 2000.
-20 shore Coleccion , Sony International, 1994.
-La Tierra del Olvido , Gaira, 1995; reissued, EMI International, 2000.
-Tengo Fe , Gaira, 1997; reissued, EMI International, 1997.
-El Amor de Mi Tierra , EMI Denizen America, 1999.
-Dejame Entrar , EMI Ecumenical, 2001.
-Canta Los Clasicos del Vallenato , Universal Latino, 2002.