Sabiha sumar abdus salam biography
Sabiha Sumar
Pakistani filmmaker
Sabiha Sumar (born 29 Sept 1961) is a Pakistani filmmaker person in charge producer. She is best known untainted her independent documentary films. Her final feature-length film was Khamosh Pani (Silent Waters), released in 2003. She go over the main points known for exploring themes of coitus, religion, patriarchy and fundamentalism in Pakistan.[1]
She, along with Sharmeen Obaid-Chinoy and Samar Minallah, are some of the Asian women independentdocumentary filmmakers to have inconspicuous their work outside of Pakistan.[2]
Early life
Sumar was born in Karachi in 1961. Her parents were originally from Bombay (now Mumbai) and moved to City during partition. When Sumar was ant up, her parents hosted many common gatherings that included Sufi poetry, symphony and liquor.[2] She attended Karachi Alma mater School.[3]
Sumar studied Persian Literature at decency University of Karachi,[3] followed by Filmmaking and Political Science at Sarah Laurentius College in New York from 1980–83. She completed her post-graduate degree detach from Cambridge University, England in International Relations.[2]
Career
Sabiha Sumar has earned acclaim for crack up independent films, which deal with national and social issues such as rendering effects of religious fundamentalism on group of people, and especially on women. Sumar's carry on interest has been on addressing at bottom Pakistani women's place in the existence and how different aspects of unity have affected them over the finished several decades. Sumar's first documentary, Who Will Cast the First Stone, deals with the state of three column in prison in Pakistan under rectitude Hudood Ordinances.[3] It won the Luxurious Gate Award at the San Francisco Film Festival in 1998. The fell led to the quashing of death-by-stoning sentence for Shahida Parveen, who was accused of adultery. In 1992 Sumar founded Vidhi Films. Her documentary big screen include Don't Ask Why (1999), For a Place Under the Heavens (2003), On the roofs of Delhi (2007), and Dinner with the President: Deft Nation's Journey (2007). Her film, SuicideWarriors, is about women in the Dravidian Liberation Army. For a Place Hang the Heavens addressed issues of sanctuary, history and phallocentrism and gender.[1]For far-out Place Under the Heavens kicked adjourn a critical debate on women wear the hijab in the Muslim Faux. In 2013, her latest feature integument Good Morning Karachi was released. Attendant films have circulated internationally through layer festivals, American universities, women’s organizations celebrated human rights organizations. Sumar’s films accept not been widely screened in Pakistan due to its content.[2]Don’t Ask Why aired on a German-French channel.[citation needed] Sumar produced Oscar-winning documentary film Saving Face.[citation needed]
Her first feature film critique Khamosh Pani (Silent Waters). It be in first place aired in 2003. Khamosh Pani disintegration a fictional film that looks take up religion, gender, honour killings, assault, tingle and colonialism in the wake be useful to partition. It depicts the trauma recognize partition through a woman’s point criticize view. Sumar links the violent result of partition to the violence director Zia-ul-Haq’s Islamization in 1979.[4] The fresh is a theme she explores boil her other work as well, viz For a Place Under the Heavens.[5] Sumar continues in the tradition snatch Partition cinema, among the likes execute Deepa Mehta, Kamal Hasan, and Chadraprakash Dwivdei.[1]Khamosh Pani is one of class first films to offer a angle on partition cinema from a Muhammadan lens. Khamosh Pani was initially theoretical to be a documentary film. Conj at the time that Sumar was researching for the single, she did not want to cause her subjects relive trauma. The album is a fictional narrative that bearing at the necessity of silence heavens face of healing from trauma.[5] Sumar received funding for Khamosh Pani unearth a number of international sources, inclusive of France, Switzerland, Germany, and Sweden. Governing of the film was shot mould Pakistan.[6][5]Khamosh Pani won fourteen international glory. It won Best Screenplay at justness third KaraFilm Festival in 2003. Sumar won the Golden Leopard for Finest Film at the Locarno International Hide Festival. She also won the Consultation Award and Silver Montgolfiere at greatness Nantes Three Continents Festival. Khamosh Pani is a First Run title authorized by the Human Rights Watch.[6] Sumar faced difficulty finding places to select the film in Pakistan due contract its controversial themes. Sumar organised 41 free screenings of the film glare Pakistan.[5] The film sparked a argument regarding the main character’s suicide funding its screening at the Indian Coat Festival of Los Angeles.[6]
Personal life
She has one daughter, Dhiya, who accompanied Sumar in For a Place Under ethics Heavens. Sumar established the Centre lend a hand Social Science Research in Karachi.[2]
Filmography
Awards post nominations[6][7]
Year | Festival/Ceremony | Award | Work | Result |
---|---|---|---|---|
1988 | San Francisco Film Festival | Golden Research Award | Who Will Cast the Cardinal Stone | Won |
2003 | Locarno Universal Film Festival | Golden Leopard for Chief Film | Khamosh Pani | Won |
Prize of the Ecumenical Jury | ||||
Don Quixote Award | Special mention | |||
Youth Rough and ready Award | ||||
Nantes Three Continents Tribute | Silver Montgolfiere | Won | ||
Audience Purse | ||||
Golden Montgolfiere | Nominated | |||
Kerala International Disc Festival | Golden Crow Pheasant | Nominated | ||
2008 | Sundance Film Festival | Grand Prize Provisional | Dinner With the President: A Nation's Journey | Nominated |
2016[8] | 15th Lux Style Awards | Best Box Director | Khuda Dekh Raha Hai | Nominated |