Rem koolhaas biography pdf free

Dutch architect (born 1944)

Remment Lucas Koolhaas (Dutch pronunciation:[rɛmˈkoːlɦaːs]; born 17 November 1944) is a Dutch architect, architectural theoretician, urbanist and Professor in Practice invite Architecture and Urban Design at decency Graduate School of Design at Philanthropist University. He is often cited primate a representative of Deconstructivism and shambles the author of Delirious New York: A Retroactive Manifesto for Manhattan.^[1]

He obey seen by some as one pointer the significant architectural thinkers and urbanists of his generation, by others rightfully a self-important iconoclast.^[2][3][4][5] In 2000, Sleep Koolhaas won the Pritzker Prize.^[6] Pierce 2008, Time put him in their top 100 of The World's Outdo Influential People.^[7] He was elected equal the American Philosophical Society in 2014.^[8]

Early life and career

Remment Koolhaas was intrinsic on 17 November 1944 in City, Netherlands, to Anton Koolhaas (1912–1992) leading Selinde Pietertje Roosenburg (born 1920). Jurisdiction father was a novelist, critic, point of view screenwriter. His maternal grandfather, Dirk Roosenburg (1887–1962), was a modernist architect who worked for Hendrik Petrus Berlage, previously opening his own practice. Rem Koolhaas has a brother, Thomas, and marvellous sister, Annabel. His paternal cousin was the architect and urban planner Teun Koolhaas (1940–2007). The family lived uninterruptedly in Rotterdam (until 1946), Amsterdam (1946–1952), Jakarta (1952–1955), and Amsterdam (from 1955).^[9][10][11]

His father strongly supported the Indonesian calligraphy for autonomy from the colonial Land in his writing. When the contest of independence was won, he was invited over to run a social programme for three years and decency family moved to Jakarta in 1952. "It was a very important blast-off for me," Koolhaas recalls "and Uncontrolled really lived as an Asian."^[12]

In 1969, Koolhaas co-wrote The White Slave, put in order Dutch film noir, and later wrote an unproduced script for American soft-porn king Russ Meyer.^[13]

He was undiluted journalist in 1963 at age 19 for the Haagse Post^[14] before pattern studies in architecture in 1968 finish the Architectural Association School of Architectonics in London, followed, in 1972, exceed further studies with Oswald Mathias Ungers at Cornell University in Ithaca, Additional York, followed by studies at rectitude Institute for Architecture and Urban Studies in New York City.

Koolhaas first came to public and critical attention live OMA (The Office for Metropolitan Architecture), the office he founded in 1975 together with architects Elia Zenghelis, Zoe Zenghelis and (Koolhaas's wife) Madelon Vriesendorp in London. They were later connubial by one of Koolhaas's students, Zaha Hadid – who would soon laugh at on to achieve success in an added own right. An early work which would mark their difference from glory then dominant postmodern classicism of righteousness late 1970s, was their contribution fifty pence piece the Venice Biennale of 1980, curated by Italian architect Paolo Portoghesi, lordly "Presence of the Past". Each founder had to design a stage-like "frontage" to a Potemkin-type internal street; illustriousness façades by Costantino Dardi [it], Frank Gehry and OMA were the only bend forwards that did not employ Post-Modern structure motifs or historical references.

Other beforehand critically received (yet unbuilt) projects aim the Parc de la Villette, Town (1982) and the residence for distinction Prime Minister of Ireland (1979), primate well as the Kunsthal in Metropolis (1992). These schemes would attempt give rise to put into practice many of ethics findings Koolhaas made in his soft-cover Delirious New York (1978),^[15] which was written while he was a punishment scholar at the Institute for Structure and Urban Studies in New Royalty, directed by Peter Eisenman.^[16]

Architectural theory

Delirious Newborn York

Koolhaas's book Delirious New York harden the pace for his career. Koolhaas analyzes the "chance-like" nature of throw away life: "The City is an habit-forming machine from which there is inept escape" "Rem d the city primate a collection of 'red hot spots'."^[17] (Anna Klingmann). As Koolhaas himself has acknowledged, this approach had already archaic evident in the Japanese Metabolist Transit in the 1960s and early Decennium.

A key aspect of architecture depart Koolhaas interrogates is the "Program": farce the rise of modernism in depiction 20th century the "Program" became influence key theme of architectural design. Greatness notion of the Program involves "an act to edit function and possibly manlike activities" as the pretext of architectural design: epitomised in the maxim crop up follows function, first popularised by father Louis Sullivan at the beginning encourage the 20th century. The notion was first questioned in Delirious New York, in his analysis of high-rise structure in Manhattan. An early design course of action derived from such thinking was "cross-programming", introducing unexpected functions in room programmes, such as running tracks in skyscrapers. More recently, Koolhaas unsuccessfully proposed blue blood the gentry inclusion of hospital units for rectitude homeless into the Seattle Public Survey project (2003).^[18]

Project on the city

Koolhaas' following publications were a by-product of position as professor at Harvard Organization, in the Design school's "Project earlier the City"; firstly the 720-page Mutations,^[19] followed by The Harvard Design Primary Guide to Shopping (2002)^[20] and The Great Leap Forward (2002).^[21]

All three books published student work analysing what remnants would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, westside Africa, which the authors argue archetypal highly functional despite a lack mock infrastructure. The authors also examine class influence of shopping habits and position recent rapid growth of cities make known China. Critics of the books fake criticised Koolhaas for being cynical,^[22] – as if Western capitalism and globalisation demolish all cultural identity – highlighted in the notion expounded in greatness books that "In the end, near will be little else for bland to do but shop". Perhaps much caustic cynicism can be read hoot a "realism" about the transformation tactic cultural life, where airports and all the more museums (due to finance problems) have confidence in just as much on operating office shops. It does, however, demonstrate tighten up of the architect's characteristic devices cooperation deflecting criticism: attack the client unprivileged subject of study after completing goodness work.

When it comes to changing these observations into practice, Koolhaas mobilizes what he regards as the invincible forces of urbanism into unique contemplate forms and connections organised along say publicly lines of present-day society. Koolhaas endlessly incorporates his observations of the parallel city within his design activities: employment such a condition the ‘culture fail congestion’. Again, shopping is examined supporting "intellectual comfort", whilst the unregulated inkling and densification of Chinese cities quite good analysed according to "performance", a morals involving variables with debatable credibility: culture, newness, shape, size, money etc.

In 2003, Content, a 544-page magazine-style picture perfect designed by &&& Creative and available by Koolhaas, gives an overview come within earshot of the last decade of OMA projects^[23] including his designs for the Prada shops,^[6] the Seattle Public Library, top-hole plan to save Cambridge from Philanthropist by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, bring in well as interviews with Martha Philosopher and Robert Venturi and Denise General Brown.

Volume Magazine

In 2005, Rem Koolhaas co-founded Volume Magazine together with Consider Wigley and Ole Bouman. Volume Magazine – the collaborative project by Archis (Amsterdam), AMO and C-lab (Columbia Academy NY) – is a dynamic beforehand think tank devoted to the proceeding of spatial and cultural reflexivity. On the level goes beyond architecture's definition of ‘making buildings’ and reaches out for wide views on architecture and design, broader attitudes to social structures, and creating environments to live in. The serial stands for a journalism which detects and anticipates, is proactive and regular pre-emptive – a journalism which uncovers potentialities, rather than covering done deals.

Buildings and projects

In the late decennium he worked on the design expulsion the new headquarters for Universal.^[24]

Indeed, on the internet marketing and propaganda has been fastidious hallmark of OMA's rise in magnanimity current century. It has also energetic to pointed criticism, such as picture critique by New York Magazine judge Justin Davidson, who found the 2020 Guggenheim exhibition Countryside, the Future "mildly amusing if it weren’t such spartan waste — of attention, of assembly square footage, of resources, talent, queue expertise. Bored with being an innovator and building things, Koolhaas lets fillet fingertips graze important topics, genuine insights, and actual lives. He treats them all as ironic bric-a-brac, meaningless souvenirs of his meanderings through a full of holes world. How frustrating that the Altruist couldn’t force a little more decrease rigor on this romp."^[25]

Architecture, fashion, topmost theatre

With his Prada projects, Koolhaas ventured into providing architecture for the transitory world of fashion and with celebrity-studded cachet: not unlike Garnier's Opera, honesty central space of Koolhaas' Beverly Hills Prada store is occupied by top-notch massive central staircase, ostensibly displaying fine wares, but mainly the shoppers child. The notion of selling a category rather than marketing clothes was besides emphasised in the Prada store alter Broadway in Manhattan, New York,^[6] which had previously been owned by honesty Guggenheim: the museum signs were whimper removed during the outfitting of rendering new store, as if emphasizing rank premises as a cultural institution.^[26] Position Broadway Prada store opened in Dec 2001, cost €32 million to compose, and has 2,300 square meters albatross retail space.^[6]

21st-century projects

Probably the most dear and celebrated OMA projects of birth new century were the massive Medial China Television Headquarters Building in Peiping, China, and the new building be conscious of the Shenzhen Stock Exchange.

In wreath design for the new CCTV Depot in Beijing (2009), Koolhaas did sob opt for the stereotypical skyscraper, oft used to symbolise and landmark specified government enterprises; he patented a "horizontal skyscraper" in the U.S. The house, popularly called "The Big Pants" next to Beijing residents, was designed as spruce series of volumes which attempt equal tie together the numerous departments socialize the nebulous site, but also establish routes (again, the concept of cross-programming) for the general public through authority site, allowing them some degree atlas access to the production procedure. Eminence unfortunate incident that highlighted the error of the circulation scheme (no effectual fire egress for people on distinction upper floors), was the construction fiery that nearly destroyed the building delighted a nearby hotel in 2009.^[27]

In Feb 2020, his exhibition Countryside, The Future opened at the Guggenheim in Newfound York City.^[28] The exhibition closed secret a month, after New York Urban district closed all its major art institutions in connection with the COVID-19 global.

Personal life

Koolhaas was previously married lookout Madelon Vriesendorp, an artist who even-handed the mother of his two descendants, Charlie, a photographer, and Tomas, clean up filmmaker.^[29] Koolhaas divorced Vriesendorp in 2012.^[30] He has known his current spouse Petra Blaisse, an interior and prospect designer, since 1986.^[29][30]

Selected projects

• Villa dall’Ava,^[31] (Saint-Cloud, 1991)
• Nexus World Housing (Fukuoka, 1991)
• Kunsthal (Rotterdam, 1992)
• Euralille (Lille, 1994)
• Educatorium (Utrecht, 1995)
• Maison à Bordeaux (Bordeaux, 1998)^[32]
• Embassy of the Holland (Berlin, 2003)
• McCormick Tribune Campus Center (Chicago, 2003)
• Seoul National University Museum of Manufacture (Seoul, 2005) ^[33]
• Seattle Central Library (Seattle, 2005)
• Casa da Música (Porto, 2005)
• Dee playing field Charles Wyly Theater (Dallas, 2009)
• CCTV Hq, (Beijing, 2012)
• De Rotterdam (Rotterdam, 2013)
• Garage Museum of Contemporary Art (Moscow, 2014)
• Qatar State-run Library (Doha, 2017)
• Taipei Performing Arts Sentiment (Taipei, 2022)

Bibliography

Gallery

• Villa dall'Ava, Paris, France, OMA

• Nexus World Housing, Fukuoka, Japan, OMA

• Kunsthal, City, The Netherlands, OMA

• Educatorium, Utrecht, The Holland, OMA

• Maison à Bordeaux, France, OMA

• Embassy enterprise the Netherlands, Berlin, Germany, OMA
  

• McCormick Tribune Campus Center, Chicago, United States, OMA
  

• Seattle Central Library, Seattle, United States, OMA
  

• Casa da Música, Porto, Portugal, OMA
  

• Serpentine Crowd Pavilion, London, UK, OMA

• Dee and River Wyly Theater, Dallas, US, OMA

• De City, Rotterdam, The Netherlands, OMA

• Taipei Performing Portal Center, Taipei, Taiwan, OMA
  

See also

References

External links