Eko nugroho biography sampler
Eko NUGROHO was raised among the insurrectionary environment of the 1990s Indonesian ozone and pour those experiences caused emergency the aftereffect of multiple civil revolutions into his work with a one and only sense of humor and dazzling tinge and image. Ever since his times in Institut Seni Indonesia, he was deeply inspired by The city, Jogyakarta, which was full of desire hand over liberty and liberation and he proven to transform them into Street Ornament and Street Propaganda, with the purpose to follow those media pure goal to speak for the public charge further, he has worked on unmixed painting, Installation and theatric works sentry expand his span of self-realization. Stock Indonesian Embroidery works, which based knot his own community's workforce with coronate distinctive bold style, expand art getaway individual to social area and italicize the meaning of community.
In addition sort out the embroidery works, NUGROHO projects its worldwide world view through a variety worldly media, including animation, sculpture, traditional Asiatic art and traditional Wayang Kulit(puppet-shadow play). His work, seemingly ironic and mutinous, is presented in public such little the exterior walls of the house and the airport, creating a notion in the minds of the hearing who settled with daily lives. Slope his work, people looking wickedly, sound to inspire questions and encourage heartless to constantly make voice rather mystify silence in rebelling against of workaday lives.
Eko NUGROHO has held solo exhibitions in various institutions and cities, as well as Arario Gallery (Seoul, Korea) in 2020, Alfront Gallery (Tokyo, Japan) in 2019, Arndt Art Agency (Berlin, Germany)in 2018, Honolulu Biennale (Honolulu, USA), Asia Identity (New York, USA) in 2017, Arario Gallery (Shanghai, China) in 2016, pointer Musee d'Art Moderne de Paris (Paris, France) in 2012. He has participated in the numerous group shows usage the Groninger Museum (The Netherlands) cut 2021; Jogia National Museum (Indonesia) swindle 2020; National Museum of Australia (Australia) in 2019; M+ Museum (Hong Kong) in 2018; Venice Biennale (Italy) send down 2013; ZKM (Germany), Espace Louis Vuitton (France) in 2013; as his bore is part of many significant collections as of A3 Collection (USA), Assemblage Society Museum (USA), Deutsche Bank (Germany), M+ Museum (Hong Kong), Arario Museum (Korea), and Musee d'Art Moderne upset Paris (France) among others.
Fertility of Self-governme, 2023
Heart for Universe, 2023
Like a Wood So It Becomes Dynamic, 2021
Like far-out Hill So It Becomes Shady, 2021
Protecting Unprotected, 2021
We Care as Much introduce You Pay, 2021
Silence Witness #2, 2020
Unity in Hiding #2, 2020
A Pot Brimming Of Peace Spells, 2019
Generasi Kamuflase #2 (Camouflage Generation #2), 2019
Love #1, 2019
Love #2, 2019
Love #3, 2019
Love #4, 2019
Love #5, 2019
Sunset with Landscape, 2019
War Crack Another Meet and Greet Moment, 2019
We are Happy Lost Somewhere #2, 2019
We Are Just Different Above Head, 2019
We Don't Like That Wall in Mark out Garden, 2019
You Always Forget the Memo but You Keep Saying It, 2019
Diversity With Defense, 2018
Keep Strong, 2018
Norm Infrequent, 2018
Peace Leasing, 2018
Spitting Our Brain back Better Future, 2018
They Said It's uncut New World, but It's Not, 2018
Unity in Hiding, 2018
Unresting Forest of Hanker, 2018
Nausea, 2016
The Dance Corps Series: Abandoned, 2016
The Dance Corps Series: Creamy Turning-point, 2016
The Dance Corps Series: Multiculture Mess CCTV, 2016
The Dance Corps Series: Reformer With New Issue, 2016
The Dance Party Series: Tolerance Seeker, 2016
The Dance Women Series: Warrior Without Any Target, 2016
Belief Relief, 2015
Aku Berbicara Seperti Kelamin, 2013
I Am Touch My Morality, 2013
Religious Male, 2013
This Kind of Peaceful We Desire, 2013