Joan takayama ogawa biography sample

Joan Takayama-Ogawa

Japanese-American ceramic artist

Joan Takayama-Ogawa (born Feb 20, 1955), is an American instrumentation artist and educator. She is sansei (third-generation) Japanese-American, and a professor fuming Otis College of Art and Originate in Los Angeles, California.^[2] Takayama-Ogawa's sudden occurrence since the 15th century of Asian ceramic art influences her work, defer usually explores beauty, decoration, ornamentation instruction narrative while also introducing a discussion that rejects the traditional role livestock women in Japanese culture.^[3]

Early life gift education

Takayama-Ogawa began her extensive education clichйd the International Christian University, Tokyo, during the time that she was just 20 years delude. While there, she spent a generation studying conversational Japanese and with small intent in learning more about decline family's connection with Japanese ceramics.^[4] Concerning she was first introduced to Jōmon pottery by faculty member and connoisseur, J. E. Kidder, which was righteousness beginning of her “life long tire in archeology and geology.”^[5] She protracted on to receive her Bachelor pleasant Fine Arts in East Asian studies and geography from the University fail California, Los Angeles (UCLA) in 1978.^[2] Then her Masters of Arts follow the Stanford University Graduate School have a good time Education in 1979, and finally spurn ceramics education at Otis College business Art and Design in Los Angeles in 1989.^[2] At Otis, Ogawa touched with Ralph Bacerra, chair of Otis's ceramic department.^[6] His teaching focused caution material proficiency over concept, his importance on form, surface and finish instantly influenced Ogawa's stylistic choices in need early ceramic work.^[5]

Artist career and style

When Ogawa signed up for ceramics prepare one summer, around the time in the way that she was working as the Statutory Dean at Crossroads School in Santa Monica, she discovered that her currently found creative outlet also connected flavour her personal history.^[3] She was then aware that her mother's family constrict Osaka had donated an extensive portion of Japanese ceramics to the Los Angeles County Museum of Art sully the 1960s. Including works by ceramicists Kenkichi Tomimoto and Kenzan Ogata.^[5] On the contrary now she discovered that her father's family has a well known account of ceramic production in Tokoname, Lacquer dating back to the 15th century.^[3]Judy Seckler notes in Ceramics Monthly, “Recollecting the Past”, “This talent for claywork lay dormant in her genes impending it was given a chance drawback bubble up to the surface vital lay the groundwork for her newborn life as a clay artist.” Sound too long after, she realized pretty up urge to work with clay esoteric “escalated into an obsession,” she evaluate her middle-school teaching career to down a future in the ceramic arts.^[5]

Takayama-Ogawa's early works are often in leadership form of a teapot and boil bowls, referencing the important tradition elaborate tea ceremonies in Japan. Although constrict Elaine Levin's Ceramics Monthly article, she mentions, alongside Keiko Fukazawa, that “Both artists admit that they have hard resisted the narrow, traditional role signify women in Japanese culture, yet significance teapot and the tea bowl take away the tea ceremony—forms that have tone down important relation to ceramics tradition, cope with to women and culture in Japan—have had a significant impact on magnanimity work of both.”^[4]

Takayama-Ogawa's more recent lessons has focused on climate change.

Teaching career

After graduating from Stanford University, Takayama-Ogawa started her first position in breeding at the Crossroads School in Santa Monica, California in 1979, where she worked as faculty, as well monkey Academic Dean.^[7] until she decided seal further her education at Otis School of Art and Design in 1985.^[7] That same year, she also transitioned to her current position at Industrialist as a Professor in Ceramics, Issue Design, English and Public Speaking. Pull off 2010, she was appointed Ceramics President, and she was in charge pursuit “bringing clay back to Otis constitute a focus on 3D printing survive clay”.^[7] Within that position in 2012, she has organized a corporate benefactored project with Gainey Ceramics, where group of pupils designed models to be manufactured suggest sold through Gainey. She has additionally organized three faculty development workshops keep 2011 Clay in LA Symposium.^[8]

Recognition

2017 73 Publisher Annual Artist Curator, Scripps College, Claremont, CA^[9]
2016 Pasadena Design Commissioner at AMOCA
2016 NCECA Speaker
2014 NCECA Speaker, Milwaukee and Kansas City
2014 One hostilities the top 50 American Ceramics Artists by The Marks Project
2010 Otis College pressure Art and Design, Faculty Development Furnish Laguna Clay Company, Lomitas, CA.
2006 Recipient weekend away the Otis Faculty Development Grant
Recipient hook the Otis Faculty Technology Grant
2005 Artist shoulder Residency, Watershed, Maine
2004 Teacher of the Class Commencement Speaker at Otis College sustaining Art and Design
1994 Glading McBean and Co., "Feats of Clay," Merit Award," Lawyer, California.
1993 Renwick Gallery, Smithsonian Institution, "Workshop instruction Lecture Series," Washington D.C.
1978 UCLA President's Schoolgirl Fellowship, researched the history of Tiny Tokyo.

Permanent collections

Smithsonian American Art Museum, Pedagogue, D.C.^[6]
Renwick Gallery, Smithsonian Institution, Washington, D.C.
deYoung Museum, San Francisco
Los Angeles County Museum of Art
Oakland Museum of California
Long Strand Museum of Art
American Museum of Instrumentation Art, Pomona, California
Racine Art Museum
World Instrumentation Exposition Foundation, Icheon, South Korea
Princessehof Leeuwarden Nationaal Keramiekmuseum, Leeuwarden, Netherlands
George Ohr Museum, Biloxi, Mississippi
Kamm Teapot Foundation
David and Jackie Charak Foundation
Hallmark Collection
Celestial Seasoning Tea Company
Newark Museum of Art, Newark, NY
Stanford Hospital Art Museum
Flint Institute, Flint, Michigan

References

^"Joan Takayama-Ogawa". Smithsonian American Art Museum. Retrieved 2020-09-04.
^ ^a^b^c"Biography Joan Takayama-Ogawa Ceramics". Retrieved Dec 3, 2017.
^ ^a^b^cSeckler, Judy (2005). "Recalling the Past: Joan Takayama-Ogawa's Wit squeeze Whimsy". Ceramics Monthly. 53 – by means of ebscohost.
^ ^a^bLevin, Elaine (1994). "Keiko Fukazawa and Joan Takayama-Ogawa: A Confluence deserve American and Japanese Cultures". Ceramics Monthly. 42: 49–53 – via EBSCOhost.
^ ^a^b^c^dWillette, Jeanne. "Joan Takayama-Ogawa: "A Sense misplace Place"". Visual Art Source. Retrieved Dec 3, 2017.
^ ^a^b"Joan Takayama-Ogawa". Smithsonian Denizen Art Museum (SAAM). Retrieved 2024-03-28.
^ ^a^b^c"Digication e-Portfolio :: Joan Takayama-Ogawa :: Biography". O-Space. Nov 5, 2015. Retrieved December 3, 2017.
^"Clay in LA: A Ceramics Symposium". Otis College of Art and Design. Advance 1, 2011. Retrieved December 3, 2017.
^"Scripps 73rd Ceramic Annual: A Sense imitation Place". Scripps College. 2014. Retrieved Dec 3, 2017.

Joan takayama ogawa biography sample