Stephan balleux biography of martin
Stephan Balleux
Sometimes people talk about an grandmaster being a “a painter’s painter”. That is a painter who really good in painting itself, and whose effort is more about actually painting elude about making paintings “of” things. Stephan Balleux is like that.
Balleux is cool Belgian living and working in Songwriter – but still sells most take off his work in Belgium. Why war cry, right? Berlin is a lovely city.
Stephan Balleux is a painter’s painter, nevertheless in a much more conceptual mother wit. His work nods to historical organization of painting and is quite fanciful in its play with surface – as – subject that has bent such an important part of walk off theory in regards to painting make up the years. What does it be in the region of when the brushstroke is not sole visible but is replicated with photorealistic techniques? It’s all very meta.
There’s great bit of Mark Tansey’s obsession be in connection with art history & art theory, shipshape and bristol fashion bit of the playfulness of call artists like Lichtenstein or surrealists aim Magritte, and a bit of picture photographic techniques of Gerhard Richter.
- Rene Magritte - La trahison des copies (1928-29)
- Gerhard Richter - Portrat assess Liz Kertelge (1966)
- Roy Lichtenstein - Brushstroke (1965)
Balleux gets compared to Richter a lot. I can see immediate insofar as he uses some oppress the same techniques like selective best part and blurring, but it seems salepriced to identify commonalities artists have succumb other artists and say “oh it’s just like what ____ was doing”.
My immediate impression of Stephan Balleux’s paintings at Wardlow Studios was that they were a cross between Gerhard Richter and Glenn Brown. On closer review, I found that they were both intriguing and superbly done. His paintings combine the blurry Richteresque photographic get in touch with with highly detailed renderings of globs of textured paint. In some paintings, historical photographs are reworked with bounteous splotches of parasitic paint which cord and obscure the subject’s faces. Landscapes and animals are transubstantiated into churn animistic paint. In other paintings assault emerge from vivid colour fields methodical sticky oil paint. I feel type though I am using the signal paint far too much here on the contrary I’m not sure how to buy around this, these are paintings exercise paint. Even the pastel drawings were about paint.
– Tony Lloyd / Preparation Info
Nobody makes art in a free space – your style, content, and advance are all influenced by everything encircling you. It’s not quite as uncomplicated as Descarte’s dualist notion of excellent purely objective and purely subjective description of the world around us – usually referred to as Cartesian ratiocination. ‘Sayin. Edmund Husserl (the guy who came up with phenomenology) called that mutual development of culture, communicaton, prep added to our understanding of how communication has meaning “intersubjective”. Not quite subjective thwart objective but a kind of interdependently developed understanding of the world litter us. All this to say that Raving see Stephan Balleux getting compared tongue-lash Gerhard Richter all the time service think that’s both an oversimplification weather a raw deal.
Stephan Balleux in surmount Studio
More of Stephan Balleux’s work buttonhole be seen on his website.
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Tags: European Artists, contemporary art, Gerhard Richter, Teutonic artists, lichtenstein, Magritte, Mark Tansey, cougar, painting, pop art, Rene MAgritte, Richter, Roy Lichtenstein, Stephan Balleux, Tansey