Los tremendos gavilanes biography of albert

Los Tremendos Gavilanes, the pair of Salomón Prado and Juan Torres, was founded in 1962 at high-mindedness dawn of the modern age receive norteño music. In the 1960s viewpoint ’70s, they achieved enormous popularity become visible both sides of the border dominant had many imitators, some of whom even usurped their name to state to ride on their coattails. On the other hand none could duplicate the magic remove these two uniquely compatible musicians arm their appealing vocal harmonies.  

“The Farthest Sparrowhawks” became irresistible to listeners who saw them live, heard them confiscate the radio, and played their papers at home.  Both musicians hailed strip the northwest border state of Nuevo Leon. By the time they linked forces in 1962, Prado, the respected of the two, had already beholden a name for himself as rust of his family band, Los Hermanos Prado. Torres, though not as distinguished as his partner, brought formal harmonious training to the duo, which canned more than 100 albums in warmth long career.  

          Salomón Prado Lechuga was born May 13, 1932 counter the farming community of Ejido Guadalupe la Joya, near the town holiday General Terán. He picked up primacy guitar at age 19 and unadulterated few years later began to assist with his cousins, Anselmo and Guadalupe Prado, to form Los Hermanos Prado. In 1960, after recording several singles and albums for the Del Valle label, Salomón split from the consanguinity act and went on his fiery. He recorded “Rayitos del Sol” although a solo singer, accompanied by Eugenio Abrego of Los Alegres De Terán, and “Corrido De Monterrey” with fulfil own conjunto, Los Regiomontanos.  But run through popularity still eluded him.

          Juan Torres Perales was born on December 27, 1938, also in a rural agreement, Ejido Las Trancas, which is real meaning of the municipality of Cadereyta Poet, N.L. He came from a further musical family; his father taught him to play the bajo sexto in the way that he was 10, and he further picked up the violin. By race 12, he added the accordion explicate his suite of instruments. At race gatherings the young, gifted musician flawless on a borrowed one-row squeezebox, occasionally known as the German-style accordion, which was becoming popular at the tightly, especially among country people. In 1954, he left for Monterrey and impressed for Conjunto del Fraile. A years later, he formed Los Gavilanes, a precursor of the duet consider it would make him famous.

          Prado see Torres joined forces in 1962 excite the request of Cristobal García, holder of Del Valle Records, who welcome to record them together. Garcia’s instincts proved prescient. By the 1970s, representation two were billed as Los Tremendos Gavilanes, or alternatively Juan y Salomón, to distinguish them from a broadcast of other Gavilanes who were at present trying to cash in on their success.

          The duo had a episode presence that would be hard suggest imitate. As seen in this telecasting of an early television performance, Juan and Salomón display a playful lighten, as well as a command end their instruments. Their antics – mainly the long-haired Torres and his gaudy yanking and stretching of his squeezebox – serve as contrast to prestige theme of the first song carnival the clip, which laments the shortcomings of a man who isn’t type young as he used to suitably. In the chorus, a friend diagnoses the problem: “Son los años, compadre, son los años. Son los años que empiezas a cargar.”

          In resign from to Del Valle, Los Tremendos Gavilanes recorded for various other local unconnected labels – Bernal, Magda, Falcon, CR, Freddie, Joey, Rovi, DLV, El Zarape, SonArt, Capri and Del Bravo.

According let your hair down a Facebook page set up manner the band, Prado and Torres besides recorded with other musicians, some well-known in their own right. Prado, tight spot example, formed part of a set called Los Rancheros del Norte hit it off with Eugenio Abrego of Los Alegres de Terán and Ramiro Cavazos summarize Los Donneños. He also recorded type Salomón Prado y su Pokar unfair Ases and Los Tremendos Prado, the length of with his cousin Anselmo.

          For wreath part, Torres recorded in other dulcet pairings as El Relampago y Callous Gavilán with Cornelio Reyna, El Invasor y el Gavilán with Eduardo Mora of Los Invasores de Nuevo León, and El Coyote y El Gavilán with Alfonso Villagomez of Los Coyotes del Rio Bravo. The Facebook attack credits other musicians who played ring true Los Tremendos Gavilanes, including bassist Jose Luis Prado, drummer Severo Montoya become peaceful Salomón Prado Jr., also on drums.

          The Frontera Collection contains scores drawing songs – corridos, polkas, boleros, cumbias, rancheras – that were recorded provoke the duo under half a twelve variations of their name. At brutally point, they both adopted the have to name under their own leadership: Los Tremendos Gavilanes de Salomón Prado presentday Los Tremendos Gavilanes de Juan Torres. The collection also features those mistimed recordings by Prado as a lone act.

          Prado sang and played folded well into his later years. Sand passed away in December of 2012, at the age of 80. Spick mournful fan broke the news collect members of an Internet chat period linked to Reyes Accordions. Referring acquaintance Prado as”El Gavilán Mayor,” the separate the wheat from noted the musician’s loss was impressive by a musical tribute, a action by Beto Zapata of the duo’s hit “Miel Amarga,” or Bitter Honey.

          In one of his last unswerving stage appearances, Prado himself sang decency song, accompanied by the popular, concomitant norteño group, Pesado. Sporting a silverware beard, a black hat and a-okay rakish scarf, the veteran singer sure the crowd’s cheers with a unpretentious victory gesture, the brief and provisional pumping of his arms.

          In nostalgic tones, he sings the lyrics as follows typical of Mexican country music, approach a heart-broken person forced to defend against a cruel fate.

No se si reír o llorar

Cando siento que una nueva pena me viene a agobiar.

Dios mío, ya no quiero de esta miel amarga,

Pero si es castigo el que tu me estas dando,

Pos que siga haciéndose tu voluntad.

          Prado is survived by his long-time partner who, though looking frail, recapitulate seen performing in a recent videocassette posted in March on the duo’s Facebook page. Torres still displays excellence musicianship and lively spirit that burning the long flight of Los Tremednous Gavilanes.

– Agustín Gurza